L4, backdated to March/Aprilish
The Winner estate library is, unsurprisingly, both comfortable and extensive.
In about three hours, Trowa will have to head back across the colony to the park where the circus has set up its tents, so he can change and warm up in time for the evening's show. But that's three hours from now. Right now, he's settled on one of the third-floor sofas in the Winner library, reading a borrowed book while Quatre's off getting tea.
(The caffeine is mostly for Quatre, who's a workaholic even when he's not rearranging his schedule to spend afternoons with a friend, but Trowa's not objecting to it either.)
In about three hours, Trowa will have to head back across the colony to the park where the circus has set up its tents, so he can change and warm up in time for the evening's show. But that's three hours from now. Right now, he's settled on one of the third-floor sofas in the Winner library, reading a borrowed book while Quatre's off getting tea.
(The caffeine is mostly for Quatre, who's a workaholic even when he's not rearranging his schedule to spend afternoons with a friend, but Trowa's not objecting to it either.)
no subject
He accepts the apology with a don't worry about it glance -- which involves next to no actual expression, but Quatre can read it anyway -- and accepts the tea likewise.
It's too hot to drink right away. So he turns a page, keeping half of his attention companionably on Quatre.
no subject
When Trowa finishes the post-chapter bio about the author: "Was that the one by Masih?"
Either that or Duvernay, from where Trowa is in the book; Quatre likes them both, as introspectives about ecosystems.
no subject
It's interesting.
no subject
It's cool enough (just barely).
no subject
And a pretty transparent one -- the story doesn't really stand up on its own, without the allegorical framework -- but Trowa doesn't mind that. He reads fiction for what people intend to say with it anyway. If they feel like making that authorial message blatant, he has no objection.
In this case, the authorial message is about the interconnectedness of everything, which makes it an unsurprising choice for Quatre Raberba Winner's shelves.
"She's more nuanced than the rest so far."
no subject
Lupe Reicht is the editor of the collection of short stories, Perspectives. Trowa's reading the fifth, and most recent, version.
"Duvernay makes an interesting contrast; I think I like Masih's better, with the objects' perspectives on people and the world, but his grasslands seem to not notice anything outside of themselves at all."
no subject
"Have they worked together?"
The stories read as if the authors might have. They're pretty clearly commenting on a similar formulation of the same issues.
no subject
no subject
no subject
(He considers, briefly, saying I like it, again, but Trowa already knows.)
"I'm sure," he says, instead, "that it's ruined now that I've given away that you've read the best."
no subject
"I might disagree."
Odds are not very high.
But literary quality isn't really why Trowa reads fiction anyway, so that's all right.
no subject
"Far be it from me to disturb scientific inquiry," he says, grin acknowledging the purposeful pretension.
Should he pick out a book, or just enjoy sitting with Trowa on the sofa?
...this decision doesn’t have to be made until he finishes his tea.
no subject
But for now, he sets the book down (closed, after a glance to check the page number) and picks up his tea.
no subject
no subject
Tea.
Yep.
no subject
(It's probably his fault. He's spent far too long over his tea, when he should’ve gone and got a book ten minutes ago. Maybe fifteen.
If he goes to get one now it will be awkward. If he doesn't, it will be awkward.
Maybe he should say something. But it looks like Trowa's thinking? Don’t be stupid, Trowa's always thinking. Maybe Trowa's waiting for him to say something. Nothing comes to mind except that idiotic speech nudging at his neurons. In his neurons? Via the method of--anyway.
No, he can't say that; he still has the earpiece clipped to his pocket like some fool.
And what if he has something in his teeth? He hasn't brushed since this morning.
He probably does.)
He starts when Bernie wanders into the room, discussing something on the phone about landlords, throws them an absent-minded thumbs-up, grabs a book from a shelf and leaves (patting Quatre’s head on the way).
"Uh, do--you want me to take in your cup? If you're done, I mean."
no subject
Awkward silence-breaking like that is not usually a feature of their conversations.
(It can't be Bernie's entrance, even if it was -- a bit more of a surprise than usual. His sisters wander in and out of the library often enough.)
"Sure," he says, and finishes off the last swallow of tea.
"Thanks."
no subject
The water runs for longer than it really ought to, to wash the cups out preliminarily. This is because Quatre’s staring at it, and wondering if dunking his face in it will make him stop being stupid.
He turns it off, and goes to brush his teeth in the restroom instead.
(There’s nothing in them; he flosses, anyway.)
This is ridiculous, he thinks at his reflection. The worst that could happen is that he could be wrong, and they’d still be friends. Obviously not ideal, but would it be so awful? No, of course not.
He takes more risky chances every day before lunch. Well, at least twice a week. Quatre cleans the toothpaste off the corner of his mouth, eyes himself sideways for a moment, and walks back to the library with what he hopes is casu—oh, Trowa’s reading again.
Um.
Hm.
no subject
(What he doesn't quite ask: everything okay?)
no subject
He sits down at an angle where he had been earlier, facing inwards towards Trowa. "I'm going to steal your attention for a moment--well, a few moments. More of an indefinite amount of moments--from Reicht. Would you prefer to finish your chapter first?"
no subject
Which is enough answer, but he says anyway, "It's fine."
He's listening.
no subject
This was so much easier in theory.
"Basically," he says, voice a lot steadier than he feels, "I'm probably going to talk too much, but I'm prefacing this with the fact that I don't expect anything, and I'm--trying not to assume anything. Um."
Quatre glances sideways for a moment, before looking back. (His eyes wander to the side now and then, during the next part.) "It's a little redundant to say you're my best friend," he starts, wryly, "but I still feel like it's important, with everything else. Um--I'm pretty sure that's why it took me until two years ago to--well, I mean." He's definitely not looking at Trowa now, and his left hand is twisting at his right cufflink. "I think it's returned, or I wouldn't say, but--I could be wrong, and that's fine--um, I just--basically-I'm-also-attracted-to-you?"
He winces, almost, as he says it.
"Which, I mean, I can never bring it up again if that's a problem! And I mean, don't worry about--you're my best friend, I'm not--well, yes, I'm going to be awkward. But not for long--"
no subject
Trowa's smiling, just a little.
no subject
"I know," he admits, once he's breathed. "To sum up: I like you, do you like me? Register yes or no at your earliest convenience. Which-- doesn't have to be right now."
no subject
You'd have to know him to hear the fondness under the words.
But it's less hidden than often. If you know him, you can hear it.
Trowa reaches out -- the care is only because this is new, and deliberate as such -- and sets his hand lightly on Quatre's. "Yes."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)